Lionel Hampton Totally Explained

Everything about Lionel Hampton totally explained

Lionel Leo Hampton (April 20, 1908–August 31, 2002), was an American jazz vibraphonist, percussionist, bandleader and actor. Like Red Norvo, he was one of the first jazz vibraphone players. Hampton ranks among the great names in jazz history, having worked with a who's who of jazz musicians, from Benny Goodman and Buddy Rich to Charlie Parker and Quincy Jones.

Biography

Early life

Lionel Hampton was born in Louisville, Kentucky in 1908 and was raised by his grandmother, but spent his youth in Kenosha, Wisconsin before he and his family moved to Chicago, Illinois in 1916. Please see the for details on the confusion over his birthplace. As a child Hampton was a member of the Bud Billiken Club, an alternative to the Boy Scouts of America due to segregation. During the 1920s—while still a teenager—Hampton took xylophone lessons from Jimmy Bertrand and started playing drums. Hampton was raised Roman Catholic, and started out playing fife drum at the Holy Rosary Academy near Chicago.

Early career

Hampton began his career playing drums for the Chicago Defender Newsboy's Band while still a teenager in Chicago, a group that was led by a Major N. Clark Smith. He moved to California in 1927 or 1928, playing drums for the Dixieland Blue-Blowers. He made his recording debut with The Quality Serenaders led by Paul Howard, then left for Culver City and drummed for the Les Hite band at Sebastian's Cotton Club. During this period he began practicing on the vibraphone. In 1930 Louis Armstrong came to California and hired the Les Hite band, asking Hampton if he'd play vibes on two songs. So began his career as a vibraphonist, popularizing the use of the instrument ever since.
While working with the Les Hite band, Hampton also occasionally did some performing with Nat Shilkrer and his orchestra. During the early 1930s he studied music at the University of Southern California. In 1934 he led his own orchestra, and then appeared in the 1936 Bing Crosby film Pennies From Heaven alongside Louis Armstrong (wearing a mask in a scene while playing drums).

With Benny Goodman

Also in November of 1936, the Benny Goodman Orchestra came to Los Angeles to play the Palomar Ballroom. John Hammond brought Goodman to see Hampton play. Hampton backed Billie Holiday with the Goodman orchestra, who was discovered by John Hammond. and Goodman asked Hampton to join the Benny Goodman Trio, made up of Goodman, Teddy Wilson, and Gene Krupa, expanding it into the Benny Goodman Quartet. The Trio and Quartet were among the first racially integrated jazz groups to record and play before wide audiences, and were a leading small-group in an era when jazz was dominated by big bands.

Lionel Hampton Orchestra

While Hampton worked for Goodman in New York, he recorded with several different small groups known as the Lionel Hampton Orchestra as well as assorted small groups within the Goodman band. In 1940 Hampton left the Goodman organization under amicable circumstances to form his own big band.
   Hampton's orchestra became very popular during the 1940s and early 1950s. His third recording with them in 1942 produced a classic version of "Flying Home", featuring a solo by Illinois Jacquet that paved the way for Rhythm & Blues. The selection became very popular, and so in 1944 Hampton recorded "Flying Home, Number Two" featuring Arnett Cobb. The song went on to become the theme song for all three men. That same year he cut a famous version of Stardust at a "Just Jazz" jam session with Charlie Shavers and Slam Stewart.
   Hampton's band played in a jazz, merged with rhythm & blues vein from around 1945 to the early 1950s. Represented in recordings on Decca Records, the band included performers that achieved renown in their own right in the 1950s and 1960s, composer and bassist Charles Mingus, saxophonist Johnny Griffin, guitarist Wes Montgomery, vocalist Dinah Washington and keyboardist Milt Buckner. Other noteworthy performers in the orchestra then included trumpeters Dizzy Gillespie, Cat Anderson, Kenny Dorham and Snooky Young, trombonist Jimmy Cleveland and saxophonists Illinois Jacquet and Jerome Richardson.
   In 1953 the orchestra toured Europe with Clifford Brown, Gigi Gryce, George Wallington and Art Farmer in his lineup; Quincy Jones was arranger/trumpeter and Annie Ross sang. Hampton continued to record with small groups and jam sessions during the 1940s and 1950s, with groups including Oscar Peterson, Art Tatum and Buddy DeFranco among others.. In 1955 he was in California working on The Benny Goodman Story he was able to record sessions with Stan Getz and Art Tatum as well as with his own big band.

Later career

During the 1960s the public success of Hampton-led groups began to decline. The times were changing, and he was still performing what worked for him during the '30s, '40s, and '50s. He didn't fare much better in the '70s, though he recorded actively on the Who's Who Record label.
Beginning in February 1984, Hampton and his band played at the University of Idaho's annual jazz festival, which was renamed the Lionel Hampton Jazz Festival the following year. In 1987 the UI's school of music was renamed for Hampton, the first university music school named for a jazz musician.
Hampton remained active until a stroke in Paris in 1991 forced him to collapse on stage. That incident, combined with years of chronic arthritis, forced him to cut back drastically on performances. However, he did play at the Smithsonian National Museum of American History in 2001 shortly before his death.

Personal life

During the 1950s he'd a strong interest in Judaism and raised money for Israel.In 1953 he composed a King David suite and performed it in Israel with the Boston Pops Orchestra. Later in life Hampton became a Christian Scientist. Hampton's wife was his manager throughout much of his career. Many musicians recall that Lionel ran the music and Gladys ran the business. Hampton was a Thirty-three degree Prince Hall freemason in New York, also. In January 1997, his apartment caught fire and destroyed his awards and belongings; Hampton escaped uninjured.
Lionel Hampton died from congestive heart failure on August 31 2002 in New York City, and is interred in the Woodlawn Cemetery, Bronx, New York. His funeral was held on September 7, 2002 and featured a performance by Wynton Marsalis and David Ostwald's Gully Low Jazz Band at Riverside Church in Manhattan; the procession began at The Cotton Club in Harlem.

Charity

Hampton was deeply involved in the construction of various public housing projects, and founded the Lionel Hampton Development Corporation. Construction began with the Lionel Hampton Houses in Harlem, New York in the 1960s, with the help of then Republican governor Nelson Rockefeller. Hampton's wife—Gladys Hampton—also was very involved in construction of a housing project in her name—the Gladys Hampton Houses. Gladys died in 1971. In the 1980s, Hampton built another Housing project called Hampton Hills in Newark, New Jersey. Hampton was a staunch Republican and served as a delegate to several Republican National Conventions during his lifetime. He served as Vice-Chairman of the New York Republican County Committee for some years and also was a member of the New York City Human Rights Commission.

Awards

2001 - Harlem Jazz and Music Festival's Legend Award
1996 - National Medal of Arts presented by President Bill Clinton
1995 - Honorary Commissioner of Civil Rights by George Pataki
1995 - Honorary Doctorate from the New England Conservatory of Music
1993 - Honorary Doctorate from the University of Maryland Eastern Shore
1992 - "Contributions To The Cultural Life of the Nation" award from the John F. Kennedy Center for the Performing Arts
1988 - The National Endowment for the Arts Jazz Masters Fellowship
1988 - The National Association of Jazz Educators Hall of Fame Award
1987 - Honorary Doctorate of Music from Liege University
1987 - Honorary Doctorate of Humanities from the University of Idaho - UI's School of Music renamed "Lionel Hampton School of Music."
1987 - The Roy Wilkins Memorial Award from the NAACP
1986 - The "One of a Kind" Award from Broadcast Music, Inc.
1984 - Jazz Hall of Fame Award from the Institute of Jazz Studies
1984 - Honorary Doctorate of Music from USC
1983 - The International Film and Television Festival of New York City Award
1983 - Honorary Doctorate of Humane Letters from the State University of New York
1982 - Hollywood Walk of Fame Star
1981 - Honorary Doctorate of Humanities from Glassboro State College
1979 - Honorary Doctorate of Music from Howard University
1978 - Bronze Medallion from New York City
1976 - Honorary Doctorate of Humanities from Daniel Hale Williams University
1975 - Honorary Doctorate of Music from Xavier University of Louisiana
1974 - Honorary Doctorate of Fine Arts from Pepperdine University
1968 - Papal Medal from Pope Paul VI
1966 - George Frederick Handel Medal
1957 - American Goodwill Ambassador by President Dwight D. Eisenhower
1954 - Israel's Statehood Award

Discography

Year	Album	Notes	Label
1937–39	Benny Goodman -"The Complete RCA Victor Small Group Recordings"	-	RCA Records
1937–39	"Hot Mallets, Vol. 1"	-	Bluebird Records
1937–39	"The Jumpin Five, Vol. 2"	-	Bluebird Records
1938	"Carnegie Hall Jazz Concert"	appearance as sideman for Benny Goodman	Columbia Records
1939–40	"Tempo and Swing"	appearances by Ben Webster, Coleman Hawkins and Nat "King" Cole	Bluebird Records
1944	"Star Dust"	the famous "Just Jazz" jam session	Verve Records
1947	"with the Just Jazz All Stars"
1953–54	"The Lionel Hampton Quintet"	with DeFranco and Peterson. Includes a 17 minute jam on "Flyin Home". There is also a 5CD box of the complete Verve recordings of the quartets and quintets with Peterson, as well as a number of other compilations and selections.	Verve Records
1955	"Hamp and Getz"		Verve Records
1958	"The Golden Vibes "	with a reed quintet	Columbia Records
1959	"The Silver Vibes"	with a trombone quartet	Columbia Records
1963	Benny Goodman "Together Again!	reunion with Lionel Hampton, Teddy Wilson & Gene Krupa	Columbia Records
1963	You Better Know It	!	with Clark Terry, Ben Webster, Hank Jones, Milt Hinton, Osie Johnson	Impulse! Records
1988	"Mostly Blues"		Jazz Heritage Society
1991	"Live at the Blue Note"	jamming with old friends including trombonist Al Grey	Columbia Records

Compilations

Year	Album	Notes	Label
39–56	"Greatest Hits"	Selections from above records	RCA Victor
42–63	"Hamp!"	-	GRP/Decca
37–63	"The Lionel Hampton Story"	Selections from all records and eras above	Proper

Filmography

Year	Movie	Role	Director	Genre
1933	Girl Without A Room	himself	Ralph Murphy	Comedy
1936	Pennies From Heaven	himself	Norman Z. McLeod	Comedy/Musical
1937	Hollywood Hotel	himself	Busby Berkeley	Musical/Romance
1938	For Auld Lang Syne	himself	?	Documentary
1948	A Song Is Born	himself	Howard Hawks	Comedy/Musical
1949	Lionel Hampton and His Orchestra	himself	Will Cowan	Music
1955	Musik, Musik and nur Musik	himself	Ernst Matray	Comedy
1955	The Benny Goodman Story	himself	Valentine Davies	Drama
1957	Mister Rock and Roll	himself	Charles S. Dubin	Drama/Musical
1980	But Then She's Betty Carter	himself	Michelle Parkerson	Documentary

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